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Tag Archives: USA

‘Opportunity Costs’ spotty playlist created by Death, Sex and Money

Anna Sale host of an NPR Podcast called ‘Sex, Death and Money’ invited podcast listeners to contribute to this playlist.


The x5 ‘Opportunity Costs’ podcasts. in which people talk about their feeling about their class, can be found here:

Thanks to Sherry Linkon of

for this intelligence.



“Darcus Beese OBE, President, Island Records and son of prominent British Black Pantheractivists, Darcus Howe and Barbara Beese, explains why music was critical to this movement and shares a selection of tracks which reflect this.”

This is what we used to call recuperation; notice the TATE branding! Its pretty full on though and in the context of a show that many people admire as including the most political work of the time. The w word oppression is used… I guess the Tate wouldn’t see themselves as ‘oppressors’ and it will be interesting to see if reviews bring class into the analysis.


“In the month leading up to the U.S. presidential election, Dave Eggers, the author, philanthropist, and founder of the satire site McSweeney’s, enlisted a number of musicians across genres and disciplines for what would become the “30 Days, 30 Songs” project, a vocal gesture against a Trump presidency.” Rob Arcand   via

I totally missed this until now.


“unite to coordinate action?”  Its difficult to distinguish capitalist rhetoric from old anti-capitalist words that, as soon as they have wide currency are immediately monetised (and that include Bitcoin versions.) by having their meanings reassigned for new purposes.

“…neoliberal protest music — “30 Days, 30 Songs,” like Third Eye Blind, Green Day, John Mayer before it — has come to seem better suited for sharing and agreement among the like-minded than the sort of direct action upon which protest music was once established. The liberal “folk-political” song, steeped in nostalgia for the mass radicalization of the 1960s, invokes an era defined by collective action while serving mostly as a substitute for action itself.” Rob Arcand

What are we to make to this?

Rebecca MCarthy (see Third Eye Blind link above) “Protest songs are out in force: look at Kendrick Lamar’s “Alright,” Beyonce’s “Formation,” J.Cole’s “Be Free,” Kanye West’s “We Don’t Care,” Lauryn Hill’s “Black Rage,” even Childbirth’s “I Only Fucked You as a Joke.”


Good article on the Pete Seeger heritage:

Bikini Kill by Jessica Gordon-Wrench from Stool Pigeon Issue 40 p.60

“Formed in Olympia, Washington in 1990 by vocalist Kathleen Hanna, drummer Tobi Vail, guitarist Billy Karren and bassist Kathi Wilcox, they spent the next seven years fostering a feminist community via the punk scene. ”

“Vail draws parallels between punk rock and folk: “My punk aesthetic is pretty much a folk aesthetic. I like singers who can sing and musicians who excel at their instruments, but I also like the sound of people’s voices who are not ‘singers’ and don’t believe that great musicians are the only good songwriters.”

“Despite their informed and highly politicised stance, both refute the idea that Bikini Kill were strictly activists. “I didn’t identify as an activist or an artist during Bikini Kill,” says Vail. “I thought of myself as a punk rock feminist that was creating counter-hegemonic culture. The band pretty much was our contribution to society… I wouldn’t call that activism, I would call that culture — a culture of resistance. I would call Riot Grrrl cultural activism.”

Vail: “Feminism is not dead. People have been saying it’s dead since the eighties. Maybe they want it to die. But saying that something is dead doesn’t kill it.”

Read the whole interview here: