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Tag Archives: SELECTOR

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This includes lots of my favourite ‘agit disco’ bands and tracks: Sleaford Mods, M.I.A., Patti Smith etc.

One final track is over the page on p.334 and was new to me. From this I learnt the meaning of “talmbout!” What a powerful ‘call to arms’ this track is!

19. Janelle Monae – ‘Hell You Talmbout’  (2013)

“This song is a vessel. It carries the unbearable anguish of millions. We recorded it to channel the pain, fear, and trauma caused by the ongoing slaughter of our brothers and sisters. We recorded it to challenge the indifference, disregard, and negligence of all who remain quiet about this issue. Silence is our enemy. Sound is our weapon. They say a question lives forever until it gets the answer it deserves… Won’t you say their names?” -Janelle Monae

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e.g. Eliane Radigue – Stress Osaka (1969)

P.S. There’s nine more above. The idea is to choose something new I learn and illustrate it with a uToobe link.

Details via: http://www.ele-king.net/books/006107/

In this piece by Mark Savage we hear, again, that “Pop is getting a long overdue dose of politics.” but this is really a piece about Jodie Abacus who is a good soul singer who is, let us say,  Commercial Hot POPerty. The article is little more than a puff piece. The song in question his latest single:

“Called Keep Your Head Down, it tells the story of a family fleeing a war zone, only to be met with fear and suspicion in the country they had thought would provide safe harbour.”

Which is worthy, I’m not saying it isn’t, but just two points:

1. Music by working class people, including those operating under ‘labels’ like pop and rock, has always been heaving with political intent and content from the ground UP – BUT its just a matter of what we are a-LOUD to H-ear. What is Broad-CAST into ouR homes without any effort on our part. That was the point of the Agit Disco project, just to show what a ‘shed load’ of political musics are out there. If you go looking. If you become a SELECTOR.

2. If you tread a commercial path the impact of your political lyrics becomes swathed in high value smooth production values which trades off the emotive impact of a raw criiiiAYYYY from the streets with more widespread AIR-play.

This goes for MIA whose has very right on political songs in syrupy pop settings. The mixing is super skilled B U T

https://youtu.be/r-Nw7HbaeWY

and LaDeeGaGa is another one (incredible performance!):

https://youtu.be/txXwg712zw4

and wee StorMZy (a man from my part of town) Will he hold out with this kind of raw power? I hope he can. The forces out to moLLy coDDle us are powerful.

http://www.bbc.co.uk/news/entertainment-arts-38908251