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noda tsutomu is the ele-king editor who made the Japanese edition of Agit Disco happen. This playlist is first published on ele-king columns: http://www.ele-king.net/columns/006153/

noda has written this ‘basic’ playlist “to explain what is agit disco to our young readers”!

01. Billie Holiday And Her Orchestra ‎– “Strange Fruit” (1939)
02. John Coltrane – “Alabam” (1963)
03. Bob Dylan – “A Hard Rain’s A-Gonna Fall” (1963)
04. Nina Simone – “Mississippi. Goddamn” (1964)
05. Sam Cooke ‎– “A Change Is Gonna Come” (1964)
06. Aretha Franklin – “Respect” (1967)
07. James Brown – “Say it Loud – I’m Black and I’m Proud” (1968)
08. The Beatles‎– “I’m so tired” (1968)
09. ジャックス – “ラブ・ジェネレーション” (1968)
10. Sly & The Family Stone ‎– “Stand!” (1969)
11. The Plastic Ono Band ‎– “Give Peace A Chance” (1969)
12. Curtis Mayfield – “Move On Up” (1970)
13. Gil Scott-Heron – “The Revolution Will Not Be Televised” (1970)
14. Jimi Hendrix – “Machine Gun” (1971)
15. The Last Poets ‎– “This Is Madness” (1971)
16. Timmy Thomas ‎– “Why Can’t We Live Together ” (1972)
17. Funkadelic ‎– “America Eats Its Young” (1972)
18. 友部正人 – “乾杯” (1972)
19. Sun Ra ‎– “Space Is The Place” (1973)
20. Bob Marley & The Wailers ‎– “Rat Race” (1976)
21. Fẹla And Afrika 70 ‎– “Sorrow Tears And Blood” (1977)
22. Sex Pistols ‎– “God Save The Queen” (1977)
23. Steel Pulse ‎– Ku Klux Klan (1978)
24. The Slits ‎– “Newtown” (1979)
25. Joy Division ‎– “Love Will Tear Us Apart” (1980)
26. The Pop Group ‎– “How Much Longer” (1980)
27. The Specials – “Ghost Town” (1981)
28. Grandmaster Flash & The Furious Five ‎– “The Message” (1982)
29. Time Zone Featuring John Lydon & Afrika Bambaataa ‎– “World Destruction” (1984)
30. The Smiths ‎– “Meat Is Murder ” (1985)
31. Public Enemy ‎– “Rebel Without A Pause” (1987)
32. じゃがたら – “ゴーグル、それをしろ” (1987)
33. N.W.A _ “Fuck Tha Police” (1989)
34. Mute Beat – “ダブ・イン・ザ・フォグ” (1988)
35. RCサクセション – 『カバーズ』 (1988)
36. Fingers Inc. ‎– “Can You Feel It (Spoken Word: Dr. Martin Luther King Jr.) ” (1988)
37. Underground Resistance ‎– “Riot” (1991)
38. Sonic Youth- “Youth Against Fascism” (1992)
39. Bikini Kill ‎– “Rebel Girl” (1993)
40. Goldie ‎– “Inner City Life” (1994)
41. Autechre ‎– 「Anti EP」 (1994)
42. Radio Boy ‎– 『The Mechanics Of Destruction』 (2001)
43. Wilco – “Ashes of American Flags” (2002)
44. Outkast – “War” (2003)
45. Radiohead – “2 + 2 = 5” (2003)
46. ECD – “言うこと聴くよな奴らじゃないぞ” (2003)
47. ゆらゆら帝国 – “ソフトに死んでいる” (2005)
48. Digital Mystikz ‎– “Anti War Dub” (2006)
49. 七尾旅人 – airplane (2007)
50. Kendrick Lamar ‎–Alright (2015)
次. Beyoncé ‎– Formation (2016)

Noda writes about item 35: “RCサクセション was  like The KLF or Sex pistols or John Lennon, a little bit, that’s band leader, his name is Kiyoshiro Imawano is very famous here, and he has been anti-establishment singer in the j-pop field.
He is very important man for us.
If you [could] understand his lyrics, you’d like him.”

article mentioning Imawano here:

No 49. is ‘Nanao traveller’ a singer songwriter. ‘airplane’ is a track from a three-piece album “911 FANTASIA” which was a response to the 9/11 attacks.

 

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This includes lots of my favourite ‘agit disco’ bands and tracks: Sleaford Mods, M.I.A., Patti Smith etc.

One final track is over the page on p.334 and was new to me. From this I learnt the meaning of “talmbout!” What a powerful ‘call to arms’ this track is!

19. Janelle Monae – ‘Hell You Talmbout’  (2013)

“This song is a vessel. It carries the unbearable anguish of millions. We recorded it to channel the pain, fear, and trauma caused by the ongoing slaughter of our brothers and sisters. We recorded it to challenge the indifference, disregard, and negligence of all who remain quiet about this issue. Silence is our enemy. Sound is our weapon. They say a question lives forever until it gets the answer it deserves… Won’t you say their names?” -Janelle Monae

Heavy-Metal! A-side selection by Love Kindstrand

Statecraft’s ‘Bloodshed revolution’ (Video blocked to me) pretty hardcore death metal? Going on other Statecraft tracks…

Firstblood’s ‘Conspiracy’.

“I’ve liked these dudes since I was 13 back in 2003. Damn I was an angry teenager. Their lyrics still ring true to this day though. Especially since I’m now a combat veteran.” Youtube comment

In the first English edition of Agit Disco we didn’t engage with Death Metal genres – did the genre seem too tainted with right-wing style anger? But I do recognise that Metal goes into that war violence and madness scenario that haunts humanity. Some of this stuff is a nightmare (for me) to listen to. But for people who’ve lived through anything from domestic violence, to rape, to gang fear, to actual imperialist warfare, then maybe it’s a mild echo of those realities that we have to find ways of healing from and emerging from.

It has been said that Heavy Metal springs from the echoes of the C20th British ‘Heavy Industries’ merging with rock and roll. It is, for sure, in its roots, a blue collar music. But in its celebration of noise it also relates to bands like ‘Test Department’ and Paul Burwell and Anne Bean’s art orientated Bow Gamelan Ensemble. Finally: One of the main good job options in the area I grew up in, if you weren’t singled out for academic upward mobility, was to become a metal ‘panel beater’.

So anyway, I wonder what ‘Love Kindstrand’ has to say about it? I see ‘First Blood’ are vegan and drug-free… and of course ‘First Blood’ is the title of 1982 Rambo film.

AA-side selection by Koya Suzuki

Noodles girl band  – NO FAN  2013  J-pop?

 

Les Rallizes Dénudés – White Waking (Cable Hogue Soundtrack Version)

Mysterious and fascinating Japanese rock band that formed in 1962 as a musical theatre troupe then became a Velvet Underground like band, with associations with The Japanese Red Army!

https://en.wikipedia.org/wiki/Les_Rallizes_Dénudés

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Not all of the playlists are in Roman alphabet… If any reader can help with a translation of Yasushi’s playlist I’d be grateful.

‘Captain of the Ship’ album by the prolific Tsuyoshi Nagabuchi . Nagabuchi is known as a human rights advocate.

The new Agit Disco is published in Japan by ele-king http://www.ele-king.net/books/006107/

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“Darcus Beese OBE, President, Island Records and son of prominent British Black Pantheractivists, Darcus Howe and Barbara Beese, explains why music was critical to this movement and shares a selection of tracks which reflect this.”

This is what we used to call recuperation; notice the TATE branding! Its pretty full on though and in the context of a show that many people admire as including the most political work of the time. The w word oppression is used… I guess the Tate wouldn’t see themselves as ‘oppressors’ and it will be interesting to see if reviews bring class into the analysis.

 

Michael Kemp writes on F*Bk: “Walked out in the rain a couple of days ago and spied a ‘REMAIN’ poster in the window of the student household at the bottom of the street. That put a spring in my step, so, when I got home, I made them a CD compilation – “A Song for Europe” and lobbed it thru’ the letterbox.”

01 Should I Stay or Should I Go? (3:07) ~ The Clash
02 If You Want Me to Stay (3:01) ~ Sly & The Family Stone
03 Welcome to Craggy Island (2:57) ~ Father Ted
04 A Song for Europe (5:47) ~ Roxy Music
05 Together Stronger (3:48) ~ Manic Street Preachers
06 Boris the Spider (2:30) ~ The Who
07 Mon amie la rose (2:17) ~ Françoise Hardy
08 Stay With Me (By the Sea) (3:23) ~ Al Green
09 Stormy Weather (1952 version) (3:43) ~ Billie Holiday
10 Emotional Weather Report (3:47) ~ Tom Waits
11 Flood (4:47) ~ Jocelyn Pook
12 I Love EU (5:05) ~ Gruff Rhys
13 Café Europa (4:17) ~ Deep Forest
14 The Hall of Mirrors in the Palace at Versailles (7:59) ~ John Cale & Terry Riley
15 Let’s Work Together (3:12) ~ Ry Cooder

fin

Stefan played his 45s first. Chronological with a few themes interwoven:  class and language; class oppression; local musics; post colonial solidarity; subversive B-sides; Psych-pop and youth consciousness forming on a very emotive plane.

1958 ‘Life of a Millionaire’ by Scrapper Blackwell  (record 1967) Replacement for a lost Sonny Boy Williamson 2 EP

1958  ‘Three O’clock Thrill’ by Kalin Twins. One hit wonders.  Subversive B-side theme  Media gatekeeping good taste/ vulgarity/ key word= BOWDLERISATION

1960  ‘My Old Mans a Dustman’ by Lonnie Donegan – Royal Variety story  theme: class and language  Smash Deference/ class oppression theme. Connection to music hall.

1964 ‘In The Bath’ by Flanders and Swann – Genteel English rap music?!  Hygiene? Class dirt?  class oppression theme. Connection to music hall via respectable and regulated Variety.

1965  ‘My Generation’ – The Who  “Why doncha all FFFF… fade away!” Primetime TV fracture of the media screen.

1966 ‘Shanty Town’ – Desmond Dekker. Lived in Thornton Heath.

NOT THIS ONE !  1978 Sex Pistols do ‘God Save the Queen’ in the UK conspicuous by its absence among my 45s – now very rare. Smash deference!

1977 Oh Bondage Up Yours – X Ray Spex. Poly Styrene at Oval House workshops in Seventies. (not played in Sheffield – left of the printed list I used)

1979 ‘Common as Muck’  – Ian Dury  theme: class and language.

‘Reasons to be Cheerful’   an artwork, or as young Rocko said “Lots of detail”.

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She was a model of upward mobility in our divisive meritocracy. But she was also driven by hatred for working class people who don’t want to aspire to values of the upper classes. When the Poll Tax Refusal-to-Pay campaign brought her down the Tories tried to find another lower class frontman. But John Major with his musichall roots was mild in comparison; Tony ‘Gulf War’ Blair did a better job. Now they are not trying to hide behind a lowerclass nutcase. Now its down to putting forward the best toff illusionists and smarmy charm merchant they can find amongst their own ranks. Bring in Darren Brown to expose their chicanery. They will fail.

Thatcher was a symbol and so is her death. If she stood for lower class division and self-hatred and the coldest free market ‘logic’ then her death can be a symbol of how that must perish. The alien worm of class hatred had entered her brain at some stage. Once she had felt the admiration of the rich and eminent she was hooked on the power they lent her.

Now she is dead the minds of all the remaining zombies of aspiration to self-hatred can finally be freed from their ‘Belief’ in humilating Toff Coalition bollix. But there is only one thing that must be done first to clear out any lingering psychosomatic effects. Shake to this ritual concoction of music.

ONE  Test Dept.

TWO  The Beat

THREE  Crass

FOUR Hard Skin

FIVE  Demon Rockers

SIX  Hefner

SEVEN Pete Wylie

EIGHT  notsensibles

NINE  The Specials

TEN The Newtown Neurotics

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