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Update July: My long review is now on my BloggerRed Days

The publishers blurb…

Challenges the conventional narratives about English popular music and
the counterculture of the late 1960s and early 1970s

“The passion, intensity and complexity of the popular music produced in
England between 1965-75 is the work of an extraordinary generation of
working class and lower middle class men and women (in alliance with a
handful of middle-class men and women) who saw in the new music the
remaking of something bigger than themselves, or more precisely,
something bigger than themselves that they could guide and shape and
call their own. In this the ?use-values? of popular music underwent an
unprecedented expansion and diversity during this period. Red Days
presents how music and action, music and discourse, experienced a
profound re-functioning as definitions of the popular unmoored
themselves from the condescending judgements of post-1950s high culture
and the sentiment of the old popular culture and the musicologically
conformist rock ?n? roll seeking to displace it. The remaking of the
popular between 1965-1975, accordingly, is more than a revision of
popular taste, it is, rather, the demolition of old cultural allegiances
and habits, as forces inside and outside of music shattered the
assumption of popular music as the home for passive adolescent
identifications.”

Bio: John Roberts is Professor of Art & Aesthetics at the University of
Wolverhampton. He is the author of a number of books, including /The
Necessity of Errors/ (2010), /Photography and Its Violations/ (2014),
/Revolutionary Time and the Avant-Garde/ (2015), /Thoughts on an Index
Not Freely Given/ (2016) and /The Reasoning of Unreason: Universalism,
Capitalism and Disenlightenment/ (2018).

PDF available freely online: http://www.minorcompositions.info/?p=981

Ordering Information: Available direct from Minor Compositions now for
the special price of £ 10 + £2 P+P.

Minor Compositions is a series of interventions
& provocations drawing from autonomous politics,
avant-garde aesthetics, and the revolutions of everyday life.

http://www.minorcompositions.info

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  1. […] list was part of a review of RED DAYS by John Roberts that stimulated me to expand my knowledges. In short the idea is that concept albums signify a […]

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