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Spider seen attempting to enter Tate Britain. February 2007.
Spider at Tate Britain
 
Mark Wallinger’s recreation of Brain Haw’s one man protest in Parliament Square disturbed me.

Its as if the last 50 years of understanding how meaning depends on context has evaporated in the heat of the new global warming enterprise opportunity. Wallinger has suberb skills as a postmodern artist/artisan. This is how the work can be appreciated from a trad art POV. Awe in the face of the skill of its (re)construction.

But what is also happening is that a spectacular copy of revolt is being made that disposses us of the immediacy of revolt. That replaces revolt by its ideal virtualised facsimile reframed by the state. The illusion is that if the sovereigns Blair and Bush  can be sacrificed in the Tate Britain, with no disturbance to the state, then what can our own pettily resourced efforts achieve… Its is a wind up to the desperate to resort to violence, it is the parallel symptom of systemmic feigned indifference, that causes the teenagers to shoot it out. It is a vacination against the possibility of an epidemic of working class creativity.

But maybe Wallinger has put all future rights to the work of art in the estate of the family of Brian Haw. Or something that undermines these commodity effects and can throw this gripe back in my face. I hope so.

Anyway in contrast I found to my suprise the nearby bronze works of the Chapman Brothers, ‘When Humans Walked the Earth’ to be more radical and subversive in their classicbronze casings. I hadn’t been mad about their work in the past finding it often unpalatably extreme for the sake of shock for the sake of attention seeking. This seems to have matured, but the radical and visual analysis seems to have sharpened.

http://www.parliament-square.org.uk/

http://www.tate.org.uk/britain/exhibitions/chapman/default.shtm

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