“August 15 marks the 30th anniversary of the tragic death of Viktor Tsoi, the Russian-Korean rock star who was killed in a car crash in 1990.”
article on Tsoi written by
Written byFilip Noubel
Flickr Photos
https://www.bbc.co.uk/news/av/embed/p08l6bqn/53451702
Justina, who faced prison for rapping in Iran, now lives in exile.
Rap Concept Albums as viewed from USA
(Updated 20/7/2020) criteria adjusted to include verbal coherence and breakthru’s muscally)
(criteria adjusted to include verbal coherence and cultural breakthru’s)
Public Enemy – Fear of a Black Planet, 1990
De La Soul – De La Soul is Dead, 1991
Ice Cube – Death Certificate, 1991
Scarface (with crew) – We Can’t be Stopped, 1991
The Goats – Tricks of the Shade, 1992
Dr Dre The Chronic, 1992
Showbiz w AG – Run Away Slave album, 1992
Wu-Tang Clan – Enter The Wu-Tang : The 36 Chambers, 1993
Tribe Called Quest – Midnight Marauders, 1993
Cypress Hill – Black Sunday, 1993
Nas – Illmatic, 1994
The Notorious B.I.G. – Ready to Die, 1994
Scarface – The Diary, 1994
The Pharcyde – Labcabincalifornia, 1995
Kool Keith (as Dr Octagon) – Dr Octagonecologyst, 1996
OutKast – ATliens, 1996
Fugees (with Lauryn Hill) – The Score, 1996
Nas – It Was Written, 1996
2Pac – All Eyes On Me, 1996
Jay-Z – Reasonable Doubt, 1996
Busta Rhymes, The Coming, 1996
Redman – Muddy Waters, 1996
The Notorious B.I.G. – Life After Death, 1997
Public Enemy – He Got Game, 1998
Lauryn Hill – The Miseducation of Lauryn Hill, 1998
Aceyalone – The Book of Human Language, 1998
Blackalicious – Nie, 1999
Prince Paul – A Prince of Thieves, 1999
Deltron – 3030, 2000
Eminem – The Marshal Mathers LP, 2000
Jay Z – The Blueprint, 2001
Aesop Rock – Labor Days, 2001
Masta Ace – Disposable Arts, 2001
Sticky Fingaz – Black Trash: The Auto biography of Kirk Jones, 2001
Mr Lif – I Phantom, 2002
Missy Elliott – Under Construction, 2002
King Geedorah – Take Me To Your Leader, 2003
MF Doom – Mm… Food, by 2004
The Streets – A Grand Don’t Come for Free, 2004
Little Brother – The Minstrel Show, 2005
The Reavers – Terror Firma, 2005
MF Doom with Dangermouse – Danger Doom, 2005
CunninLynguists – A Piece of Strange, 2006
Tanya Stephens – Rebelution, 2006
M1 – Confidential, 2006
Talib Kweli & Madlib – Liberation, 2007
Jay-Z – The American Gangster, 2007
Talib Kweli – Ear Drum, 2007
88-Keys – The Death of Adam, 2008
Immortal Technique, The Third World, 2008
Kid Cudi – Man on the Moon: End of the Day, 2009
Brotha Lynch – Hung Dinner and A Movie, 2010
The Roots – Undun, 2011
The Coup – Sorry to Bother You, 2012
Kendrick Lamar – Good Kid, M.A.A.D City, 2012
Dead Prez (M1 & Stic.man) – Information Age, 2012
Wordsmith – The Blue Collar Recital, 2013
Ghostface Killah & Adrain Younge – Twelve reasons to Die, 2013
Pharoahe Monch – PTSD, 2014
The Roots – And Then You Shoot Your Cousin, 2014
Lupe Fiasco – Tetsuo & Youth, 2015
Common – Black America Again, 2016
Beyoncé’s – Lemonade, 2016
Tyler the Creator – Flower Boy, 2017
Kendrick Lamar – Damn, 2017
Hermit and the Recluse – Orpheus and The Sirens, 2018
Lupe Fiasco – Drogas Wave, 2018
Tyler, The Creator – IGOR, 2019
The Lonely Island Presents: The Unauthorized Bash Brothers Experience – 2019
The lack of women above seems unlikely… would welcome suggestions or comment…
A list of key British Rap albums will follow.
This list was an addendum to a review of RED DAYS by John Roberts that stimulated me to expand my knowledges. In short the idea is that concept albums signify a historically new entry of a class (above black mainly working class men) onto an assertively writerly cultural stage, on their own terms.
Blog review of RED DAYS here
RIP
“I did not know how to write lyrics and melodies until I was put behind bars. It is there that I learned,” he said in 2017.
Update: Haacaaluu Hundeessa: The protest singer who became an Oromo icon
https://aje.io/kxdpm
https://www.bbc.co.uk/news/world-africa-53233531
He released his first album Sanyii Mootii (Race of the King) in 2009, a year after walking free, and it turned him into a music star, and a political symbol of the Oromo people’s aspirations.
After a long appeal process the twelve members of La Insurgencia Spanish rap group have been give 6 months prison. (This will not be served apparently in Spain they don’t put people in prison for sentences of less than a year)
“The Supreme Court has ratified the sentence of 6 months and one day in prison for the 12 members of the rap group La Insurgencia for a crime of exalting terrorism for praising GRAPO and its members in their songs on the Internet.Initially, the National Court imposed a sentence of 2 years and 1 day in prison, but by appealing to its Appeals Chamber, it reduced the sentence to 6 months and 1 day because the terrorist organization they praised, the GRAPO, is already inactive, a doctrine that has been applied on several occasions in cases of exaltation of ETA.”
“The death of George Floyd has prompted one of the biggest movements against racism since the civil rights era.”
BBC announces ‘The new wave of protest songs’
Mark Savage goes on “As the Black Lives Matter movement continues, the record industry has been paused to examine its own history of racial exclusion, and the inequity between black artists and the mainly white executives who profit from their work.”
As a follow up to my previous post here is the BBC celebrating the new wave of protest songs! Any successful uprising will see the progressive, hip establishment move to get in with it and take leadership. Please say if you think i’m being too cynical!
The article is short and worth a read.
13 Best [US] Protest Songs Of All Time
https://www.teenvogue.com/story/best-protest-songs?
It is interesting that when the world slips into a radical phase of revolt as with the global ‘BLACK LIVES MATTER’ protests that the fashion sector has to react quickly OR get labelled out of step and soon dropped. But then again some of these artists can embrace the contradiction of money and protest. Maintaining street cred when you are absolutely RICH. Forgive my cynicism – its good to see the contradictions being stretched. Its a good playlist! I learnt stuff.
The biggest affront to the establishment is to pull down statues. Be interesting to see how that pans out in Bristol UK in the coming months! Please let me know if any songs arise from that… (Soon come! see comment below!)
Update July: My long review is now on my Blogger
The publishers blurb…
Challenges the conventional narratives about English popular music and
the counterculture of the late 1960s and early 1970s
“The passion, intensity and complexity of the popular music produced in
England between 1965-75 is the work of an extraordinary generation of
working class and lower middle class men and women (in alliance with a
handful of middle-class men and women) who saw in the new music the
remaking of something bigger than themselves, or more precisely,
something bigger than themselves that they could guide and shape and
call their own. In this the ?use-values? of popular music underwent an
unprecedented expansion and diversity during this period. Red Days
presents how music and action, music and discourse, experienced a
profound re-functioning as definitions of the popular unmoored
themselves from the condescending judgements of post-1950s high culture
and the sentiment of the old popular culture and the musicologically
conformist rock ?n? roll seeking to displace it. The remaking of the
popular between 1965-1975, accordingly, is more than a revision of
popular taste, it is, rather, the demolition of old cultural allegiances
and habits, as forces inside and outside of music shattered the
assumption of popular music as the home for passive adolescent
identifications.”
Bio: John Roberts is Professor of Art & Aesthetics at the University of
Wolverhampton. He is the author of a number of books, including /The
Necessity of Errors/ (2010), /Photography and Its Violations/ (2014),
/Revolutionary Time and the Avant-Garde/ (2015), /Thoughts on an Index
Not Freely Given/ (2016) and /The Reasoning of Unreason: Universalism,
Capitalism and Disenlightenment/ (2018).
PDF available freely online: http://www.minorcompositions.info/?p=981
Ordering Information: Available direct from Minor Compositions now for
the special price of £ 10 + £2 P+P.
Minor Compositions is a series of interventions
& provocations drawing from autonomous politics,
avant-garde aesthetics, and the revolutions of everyday life.
https://www.bbc.co.uk/news/uk-scotland-50672876
“After the 1994 exhibition, the Glasgow-based artist was disappointed at the war museum’s decision to select just six of the less brutal paintings for its permanent collection.”
David Bowie, however, did buy the most brutal painting of a rape.
He was unprepared for an experience of war and after his war artist experience in 1993 in Bosnia he had a lot of mental problems. PTSD, but maybe on top of earlier stuff. At the age of 6 his first painting was of the crucifixion.
https://peterhowson.co.uk/peter-howson-on-art-and-politics/
PH: “Art was always political, it’s only recently that it’s become very vapid. I always separate the art from the person. I don’t rate new Scottish art at all, a lot of it looks like advertising. Real art is Otto Dix, George Grosz, Goya, Michelangelo and Ken Currie here is the only artist doing serious stuff at the moment, and when I say serious I mean social commentary – art has got to speak to people, it’s got to communicate.”
Once we stayed in Edinburgh in a room with one of his earlier paintings on the wall – it didn’t contribute to a homely feel!
