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“A Nigerian singer known for singing about corrupt politicians has been found five days after he was kidnapped.”BBC 29 June 2016

This song, ‘Gyara Kayanka’, is the reason he was kidnapped and threatened. Ado is from the state of Adamawa and I think the song is in the Hausa language. Anyone have a translation of the lyrics?

 

 

Michael Kemp writes on F*Bk: “Walked out in the rain a couple of days ago and spied a ‘REMAIN’ poster in the window of the student household at the bottom of the street. That put a spring in my step, so, when I got home, I made them a CD compilation – “A Song for Europe” and lobbed it thru’ the letterbox.”

01 Should I Stay or Should I Go? (3:07) ~ The Clash
02 If You Want Me to Stay (3:01) ~ Sly & The Family Stone
03 Welcome to Craggy Island (2:57) ~ Father Ted
04 A Song for Europe (5:47) ~ Roxy Music
05 Together Stronger (3:48) ~ Manic Street Preachers
06 Boris the Spider (2:30) ~ The Who
07 Mon amie la rose (2:17) ~ Françoise Hardy
08 Stay With Me (By the Sea) (3:23) ~ Al Green
09 Stormy Weather (1952 version) (3:43) ~ Billie Holiday
10 Emotional Weather Report (3:47) ~ Tom Waits
11 Flood (4:47) ~ Jocelyn Pook
12 I Love EU (5:05) ~ Gruff Rhys
13 Café Europa (4:17) ~ Deep Forest
14 The Hall of Mirrors in the Palace at Versailles (7:59) ~ John Cale & Terry Riley
15 Let’s Work Together (3:12) ~ Ry Cooder

fin

http://www.huffingtonpost.com/entry/dixie-chicks-mock-donald-trump_us_57556c12e4b0c3752dce0705

The Dixie Chicks haven’t learned their lesson yet it seems and are as political as they ever were. Nice to see them back with a world tour and sold out in the USA too.

Continuing the theme of the big stars that issue political edicts I agree with!

I just watch the burning of a police car in Paris and angry scenes. Amongst it all there was an orchestra of sort playing, I had the sound down…(was it on RT?). Does anyone have a source on this? There seems to be a news blackout?!?

Jamala has just won the Eurovision with a protest song about the Tatars in Crimea ‘1944’ its about ethnic cleansing and Stalin but with obvious relevance to the situation in Crimea since the Russian takeover.

It seems like the mainstream music world has been won over to agitdisco and is trying to take the reins and make the running. How is it that certain ‘political’ statements are OK whereas most are not?

A jokey cake graphic suggests that the votes are 90% ‘political’ in the sense that people vote for countries they ‘like’ or feel allied to.

“The country scored 534 points with its song 1944, about the deportation of Crimean Tatars under Josef Stalin.” BBC

Phillipe Sands QC has cowritten a book called ‘East West Street’ about the beginnings of international justice in the Nuremberg Trials of Nazi ‘war criminals’. This is when ‘crimes against humanity’ and ‘genocide’ became part of international law. Sands tells the story from a very personal perspective. The part of it that caught my eye was that two people on opposite sides of the bench at Nuremberg were fascinated by the same piece of music. Herschel Lauterpacht had studied in Lviv in Ukraine. Hitler’s personal lawyer Hans Frank had given a hate speech there that led to the murder of some 100,000 individuals including friends and teachers of Lauterpacht, and the grandfather of Phillipe Sands. Franks was prosecuted at Nuremberg by Lauterpacht and Raphael Lemkin. Frank was executed on the 16th October 1946.

The extraordinary thing is that Sands discovered that both Lauterpacht and Frank were comforted during the Nuremberg trial by J.S. Bach’s ‘St Mathew Passion’.

How extraordinary is this? At times of such profound emotion anyone with a bourgeois background or widespread love of orchestral music might be likely to get spiritual comfort from St Matthews Passion ‘one of the masterpieces’ of sacred classical music. And Hans Frank was one of the only defendants, along with Albert Speer, to show any remorse.

The scale and cold bloodedness of the Holocaust has held me in awe and dread since I first discovered  in as a young child. It is now hard not to think of it as a result of class oppression; of the extremes of numbing that were possible. The sublimation of emotion into high art that is listened to or observed without expression of emotion (or even bodily movement) seems to be part of this conditioning.

This may be of interest:”Collective Listening” followed by discussion – sounds very #agitdisco


<p><a href=”https://vimeo.com/157702582″>The Pop Group Q&amp;A at Rough Trade</a> from <a href=”https://vimeo.com/roughtradeshops”>Rough Trade Shops</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

The Pop Group Q&A at Rough Trade

This is more than a simple playlist; it’s a podcast programme with its own artistic value. Beautifully put together. Transpontine says: “Mix based on DJ set at  Housmans Radical Booksellers benefit at  Surya a while ago with  Stefan Szczelkun Paul Jam  Stewart Home Martin Dixon.  A mix I did a little while ago of music from the 1984/85 miners strike, with ChumbawambaNocturnal Emissions , Test Dept, Style Council and more…”

http://www.nme.com/blogs/nme-blogs/beyonce-formation-political-talking-points

Where are we going with this?  Is it marketising the revolution before it happens? Is it authentic? Is she ready to go to prison for her statements? Risk losing her millions? Or was it all agreed with her marketing department?

941345_1706685512921462_770816076129130949_n.jpg

To me it always feels like it might burst but we just ain’t ready.

http://edition.cnn.com/2016/02/19/us/beyonce-police-boycott/

http://www.socialistalternative.org/2016/02/26/beyonce-super-bowl-black-panthers/

http://www.billboard.com/articles/columns/hip-hop/6897263/vic-mensa-justice-for-flint-laquan-mcdonald-16-shots-interview

Update 26th April. Lemonade, her new album is certainly making waves. Perhaps it is the radical power of the commodity and celebrity that it can turn on its money master and demand reforms, changes of attitude – in this case changes in normative attitudes to black women in the USA at least.

Todays Hillsborough Enquiry result is more powerful and revolutionary  because it comes form the bottom up – it signifies a working class refusal to take that classist shit? It shows the working class in Liverpool can assert its power within a legal framework that was evolved to protect bourgeois ‘freedoms’ and so class oppression. Equal before the law? We’ll see about that!

standupandspit

From Smash Hits, 11 December, 1980

DK_smashhits_11.12.80

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